Perfect Pitch - Relative Pitch - Hearing Protection

                                                                              an essay by Jack Grassel

        Absolute or perfect pitch: the ability to identify a musical tone without hearing it in relation to another one is a rare gift, found in as few as one in 10,000 individuals in Western societies.

     I have Perfect Pitch.  I've taught college Ear Training classes in which I've compared the abilities of those with and without perfect pitch.  I have played in ensembles where no one else had perfect pitch, everyone had perfect pitch or it was mixed.  Here's what I know about it.  Instead of trying to develop Perfect Pitch,  time could be better spent improving musicianship.   Perfect Pitch does not make a musician superior,  just different than one who doesn't have it.  Mozart had it, but Wagner and Schumann did not.

Q. What is "Perfect Pitch"?
A. The ability to identify and produce any pitch without the aid of a sound source. It is the ability to instantly know the quality and make up of a group of pitches sounded simultaneously.  Most of the people I've tested who've said they had perfect pitch did not have it and did not understand what it was. 

Q. Is it possible to develop "Perfect Pitch" ?
A. Absolutely not!  I nor anyone I know has ever seen evidence of this.  The person with perfect pitch is physically different than one without.  "The neural correlates of absolute pitch have been illuminated by comparing the brains of musicians with and without absolute pitch using a refined form of structural brain imaging (MRI morphometry), and by functional imaging of the brain as subjects identify musical tones and intervals.  A 1995 paper by Gottfried Schlaug showed that in musicians with absolute pitch (but not musicians without), there was an exagerated asymmetry between the volumes of the right and left planum temporale, structures in the brain that are important for the perception of speech and music."

I have not seen one example of perfect pitch development courses for sale in magazines producing perfect pitch.   As an experiment, I taught the principles from a mail order perfect pitch course in an ear training class for one year to talented students.  The results were poor to non-existant.  The students and I both felt that our time could have been better spent improving our musicianship in other areas in addition to practicing standard relative pitch ear training.  As a result of interviews I conducted with people who have perfect pitch,  it seems that the ability to develop perfect pitch awareness disappears after the age of four and a half. 

In his book Perfect Pitch, Nicolas Slonimsky states:

" My contention, based on numerous observations and experiments, is that perfect pitch is an innate capacity, which cannot be cultivated."


Q. How many people have it?

A.  6% of children taking music lessons in elementary schools.  7% of students studying music in U.S. universities.  15% of musicians in major U.S. orchestras.   32.1 - 63% of Asian university students.

It has been observed that PP runs in families about 20% of the time, occurring in either a parent or a sibling. In contrast, for musicians who do not have PP, the likelihood that one of their family members has PP is only about 1-2%.  There is a striking association of absolute pitch with early blindness (some studies estimate that about 50 percent of children born blind or blinded in infancy have absolute pitch). The rate of appearance of perfect pitch in the broad population of children taking lessons in public schools is about 1 in 1500. In some schools, over half the Asian students reported perfect pitch! *    There are so few people that have perfect pitch that it's difficult to accurately study the development  of it.   Marc Damashek states "Older piano tuners tend to tune the highest treble octaves quite sharp...perhaps there is some sort of atrophy of the basilar membrane or a stiffening of the hair cells with causes this."

Q. Are there benefits from having "Perfect Pitch"?
A. Having PP is not a prerequisite for outstanding musicianship, however, in many cases it leads to faster musical learning.  Children with PP display interest in music early, which may result in parents starting musical training at a very young age resulting in a head start over peers. An electronic tuner is not needed to tune instruments since the PP person is a "human tuning fork".

If you have Perfect pitch, protect yourself:
Always have earplugs. Select your apartment or house carefully. Get a quiet car. Associate with those that have "Perfect Pitch" and discuss it when "normal people" are not present.  Refuse to be turned into a "circus act" by performing demonstrations.   Don't tell people you have it unless it's absolutely necessary.

I've consulted with a few married couples where both the partners have it. They say they enjoy the support of someone who understands the advantages and the problems.  If you have perfect pitch and are married to someone without it, make sure your partner knows how you experience the world so that he or she can help you be more comfortable.  Perfect Pitch is in operation every minute of a person's life.

                         

                                  A band with perfect pitch 1999-2001

 

Q. What are the cons of having "Perfect Pitch"?
A. Unaccompanied choirs tend to "go flat" during a performance. The PP person has difficulty singing out of tune with the rest of the choir, especially while reading the "in-tune" notes on paper.  The musician with it is somewhat of a "sighted person among a sea of blind". Since there are so few people with this gift, the musician can appear "crazy" because he or she is the only one in an ensemble that hears everything that happens. This gift cannot be turned off, so every sound, 24 hours a day, becomes a musical event which may torment the musician his or her entire life. To a person without Perfect Pitch, a car passing by is just that.  A person with Perfect Pitch hears the same car as a cluster of pitches eminating from the tires, car body and wind which triggers memories of songs containing those pitches. However, when performing music he or she may have the ability to create a superior performance. There is also the possibility that the PP person may perform poorly do to sonic distractions in the performance environment. The musician without PP is probably more consistant in performance. The person with "Perfect Pitch" is most effective in an ensemble where every musician has perfect pitch.


Many musicians are driven mad by "Perfect Pitch" because they are too sensitive to live in the present world and may exibit intolerant behavior (Jaco Pastorius, Charles Mingus, Charlie Parker, etc.) 

According to his autobiography, Miles Davis

was stopped by a police officer for speeding.

He told the officer that he was not speeding even though his speedometer was broken.  He could tell his speed by the pitch eminating from his tires.


The PP person can be "thrown off" by wrong notes or chord changes played by other members of an ensemble.   For their own survival, PP musicians must make sure they play only with the finest musicians.
One person reported having difficulty looking at music in one key and singing in another while transposing.  With training, many of us have overcome such problems, even "turning off" our absolute pitch if necessary.

 

Q. What can be done to preserve Perfect Pitch?

Otolaryngologist Dr. Albert McLain Jr., treats the ears of famous musicians.  I asked him about the effect of various substances on ear function:  "The ingestion of caffiene, salt and wintergreen temporarily alter the ear's blood vessels causing inaccurate perception of tones."  The person with perfect pitch may then identify tones a half to whole step sharp.  It's suggested staying away from these substances 2-3 days before performances whether you have perfect pitch or not.   In tests conducted on myself with these substances, this has proved to be true for me. 

Marijuana not only alters ear function but the brain's perception of what is heard by the ear. Then ineffective processing by the brain causes the

musician unawaredly to speed up and/or slow down creating a problem with the other musicians in the band.   It may take weeks or even months for these negative effects to wear off. 

A permanent or temporary shift of absolute pitch, may be caused by strokes, head injuries and brain infections.  In Oliver Sacks book Musicophilia, one correspondent told him that his absolute pitch shifted a semitone during an attack of multiple sclerosis and remained slightly off thereafter.  

Folks with perfect pitch which has been altered in these ways are usually able to compensate for their altered perception to increase accuracy.

ne has varying degrees of basic hearing abili

 If you don't have Perfect Pitch:
Don't waste your time and money trying to develop it. Don't buy a perfect pitch development course. Work on "Relative Pitch" instead. You can leave it on the stage when done working. Relative pitch doesn't require you to be "on call" to music 24 hours a day. There is much more to being a musician than having PP. You can be a great musician without it.

Q. What are some interesting PP "adventures"?    

One time I was hired to accompany Luciano Pavarotti on classical guitar at one of his concerts. I knew that he specified in his contract that the orchestra needed to tune to A 438. Before Luciano appeared at the rehearsal, I heard the oboist produce an A 440 to tune the orchestra. I didn't say anything and kept my guitar tuned to A 438. (The "Perfect Pitch" person usually learns to keep his mouth shut since he's in the minority) Mr. Pavarotti came out and proceeded to start the rehearsal. After a few bars, he stopped the orchestra and reprimanded the oboist for tuning the orchestra to A 440. The oboist played an A 440 and said it was A 438. Then Luciano sang a perfect A 438, and had the orchestra tune to him.

Water running out of a faucet produces different

pitches depending on it's temperature.   The PP person needs only to listen to the pitch of the running water to know when it's safe to enter

the shower.

There is a relationship between the pitches produced by crickets and temperature.

Most crickets "sing" around Eb at 60 degrees and

increase their pitch to nearly G around 100 degrees.


Q. Is there anything that can be done to reduce tonnitus? (Ringing noises in the ears)

A.  First of all, you need to stop exposing your ears to the loud sounds which cause tonnitus. It may or may not go away by itself. This condition will confuse you when hearing pitches whether you have perfect pitch or not and can practically drive you crazy.  In experiments done on myself, I've found that ingesting Ginkgo Biloba can eliminate or reduce tonnitus by increasing blood flow to the cranium.  Ginkgo isn't standardized and varies greatly, even with different bottles of the same brand.  If you take too much, you may get a terrible headache.  If you don't take enough, there will not be the desired effect. You need to experiment slowly with dosages.  I purchased some while in Mexico and it worked best.  In the United States try the various premium brands available in a health food store.

A mixture of Vitamin B12 and Folic acid has been

shown in some cases to reduce age related hearing loss in the upper ranges. 

To find an interactive loudness scale and more    online resources, visit www.parade.com

 

Thanks to:

 

 Q. How do you know when to use protection?

A. Whether you have perfect pitch or not, you need to vigilantly protect your hearing: Hearing loss may be caused by a one-time exposure to an extremely loud sound (such as an explosion) or by exposure to loud sounds over months or years. It is irreversable.  If you are uncomfortable with the volume, damage may be happening.


 Loudness, or sound intensity, is measured in decibels (dB). The scale runs from 0 dB (which is the faintest sound a human ear can detect) to more than 180 dB (the noise of a rocket during launch).

Decibels are measured on a logarithmic scale, meaning that every time the intensity increases by units of 10, each increase is 10 times the lower figure. So 40 decibels is 1000 times as intense as 10 dB.
Experts believe that prolonged exposure to sounds above 85 dB without any protection can damage your hearing.

dB   dB  
30 a whisper 100 power saw; power drill, kitchen blender
50 the sound of heavy rainfall 115 sandblasting
60 normal conversation 130 race-car noise
70 rush-hour traffic, 140 jet engine
85 RISK LEVEL, loud television, stereo, sounds louder than normal conversation, a live band 150 fireworks
90 subway train; lawn mower; back up warning signals on trucks, leaf blower, an amplified concert 170 shotgun blast

There are four levels of protection:

1. "Pro Plugs" let in the most sound. They are a clear plastic unit that fits invisibly into the ear. It has a tiny hole that lets sound in. It is possible to play music with these installed, but the protection is minimal.              www.proplug.com
2. Yellow foam remove about 40% of the sound and much of the high end.
3. Pink Rubber removes about 60% of the sound which is great for industrial protection around power tools or rock concerts.

4.

Headphone type ear protectors with additional pink ear plugs should protect you from any assault.

Have ear protection with you at all times. Wipe the plugs daily with alchohol to reduce the risk of ear infection.

 

  AP News (Genetics of Absolute Pitch Study),  Perfect Pitch (National Geographic, March 2005) Dr. Ranit Mishori,  Peter K. Gregersen, (Principal Investigator, Division of Biology and Human Genetics, New York School of Medicine)    Elena KowalThanks to: sky, (research assistant)   Nina Kohn,  Elizabeth West Marvin: Division of Biology and Human Genetics and Biostatistics,  North Shore University Hospital, Manhasset, NY  and Department of Music Theory, Eastman School of Music, Rochester, NY.  Oliver Sacks for his book Musicophilia.  Marc Damarshek - piano tuner.

Otolaryngologist interviewed:  Dr. Albert McLain Jr.

Musicians interviewed with perfect pitch: Jeff Pietrangelo, John Price, Jill Jensen, Glen Asch, Richard Boukas.

Musicians interviewed with relative pitch: Kaye Berigan, Harold Miller..

Here is a recent letter which I've reproduced here:

Hi Jack,


My name is 'KR'. I'm a musician, now in my 39th year as a professional musician. I first started music 50 years ago, when I was four. I have been very fortunate and grateful to have been blessed with Perfect Pitch.
When I first started learning the piano, I went home from my piano teacher wondering how I was going to find Middle 'C' on my own piano. I did this by playing the notes of my piano until I found it. How did I find it? I recognized the sound. I thought everybody was able to do this. It wasn't until I was nine that I found out everybody didn't have Perfect Pitch.

Over the years, I have watched other musicians struggle with exams and studies especially 'Ear Training', writing and scoring. When they asked me how I 'did it', I did my best to analyze what I did to help them. I have spoken to people with 'Relative Pitch' and asked them how they work out Pitch analysis. Having heard their reply, I then adapt it to the way I perceive Perfect Pitch. I find Perfect Pitch as a 'Tone Colour'. I have them listen to something in 'C' followed by the same arrangement in 'Db', so they could hear the difference in 'Tone Colour'.

Once, I de-tuned my electric piano down half a tone just before one of my students came around. This guy was older than myself and had only just started learning music. But when he started to play my piano, he soon noticed 'something' different. I then explained what I did, and why. As he understood the 'why' he noticed the difference, he was able to develop Perfect pitch.

Like 'Relative Pitch', I suggested he related the sound of one note to a color, or something else he could associate with. I believe everyone has Perfect Pitch. It's just the 'awareness' of having it that they may not have. It's been great for me for things like transcribing, learning techniques of instruments, speeded up transcribing and dictation, and many other things. The only disadvantage I found was when I started to play Bb Tenor Saxophone, a 'transposing' instrument. I soon got used to transposing to Bb and adopted the same technique to learning Eb and F, and indeed now, I can see a full score and hear it.
Yours truly,
KR

Here's my response:

Hi KR,


Thank you for relating your perfect pitch experience. I enjoy hearing from others who have it.  (Although I can't determine if you really have perfect with email.)  I receive a lot of email and try to respond personally to every letter but occasionally run out of time. Everyone has the ability to distinguish sounds differently. I define Perfect Pitch as the ability to:

1. produce a perfectly in tune A440 (or any other tone) at anytime in the midst of out of tune sounds without the           aid of an external device. And then if one becomes a musician and develops musical skills to a high level:
2. transcribe chord changes upon one hearing without an instrument.
3. transcribe each note in a huge cluster of notes without an instrument.
4. be able to improvise instantly on a song if the chord changes are played.
5. would have no need for an ear training class.

I have had a few very brilliant students after an entire year of daily study with a "perfect pitch course" become able to tell the difference between Eb and F# (most of the time) which I and they felt at the end of the year had been a waste of time. Those 350 hours could have been spent improving other areas of musicanship that are more important.  Telling the difference between two pitches is not perfect pitch.


One of my college instructors who is the principal bassist in a major symphony walked around listening to a tuning fork for a year trying to remember A440. After an entire year he still couldn't hit the note accurately, gave up, and used his time more productively.

In the city that I work in, there are about 3,000 professional musicians, I know 9 players that can do all the things musicians with perfect pitch can do. I run many people that say they have perfect pitch and when I test them, I discover they don't have it.


Your experience is very typical, and very similar to mine. I was about 12 when I was tested and informed by an instructor that I was different than the people I was performing with. Up until then, I didn't know what perfect pitch was even though I was using it since age 3.  If you learn what perfect pitch is at age 12 doesn't mean you acquired it at that age.  It means that you just learned why you are different than others.

I disagree with you when you say that everyone has perfect pitch. In my testing, the ability to develop it disappears after the age of 4 and a half, continues at a diminished level until about age 5 and then is gone for the rest of one's life. However, there are so few people with this ability that it is difficult to have enough subjects to study to make a totally conclusive statement.

Please give me a call and I will test you on the phone to determine if you have perfect pitch or not. 

Jack

NOTE:  KR never called !!  

NOTE:  If you are going to experience color, you must use your eyes.  If you are going to experience sound, you must use your ears.  "Hearing colors" is an advertising gimmick.  You SEE colors. You HEAR sounds.